The Roots That Bind
Respond to The Roots That Bind!
We’re looking to highlight designs from BIPOC artists in and around the Boston area that respond to “The Roots That Bind.” What does Black feminism mean to you? How would you visualize these texts? Share your reflections and reactions!
Send your interpretation through an illustration or design of your own via this link. All submissions will be reviewed and your design could be selected to be reproduced across the city! Selected artists will receive a $250 stipend. Creatives of all ages and abilities are encouraged to participate. Deadline is April 30.
This project seeks to highlight and uplift BIPOC and femmes and non-men of color. We will prioritize attention and responses to works by these creatives but welcome allies of all identifiers and backgrounds to submit.
Combahee’s Radical Call: Black Feminisms (re)Awaken Boston — a series hosted by BCA through June 2021— continues with “The Roots That Bind,” a series of hand-illustrated banners and posters created by Boston artist and writer Arielle Gray. This Call-and-Response project features key Black feminist texts to call forth our own expressive reactions to the lineage of Black feminist thinkers including June Jordan, Toni Cade Bambara and Audre Lorde.
Passersby can scan the QR code at the corner of the banner to access the readings relevant to the text. The current readings include:
Audre Lorde, “Sister Outsider” (1984)
Toni Cade Bambara, “On The Issue of Roles” (1969)
The artist invites you to not only read the full texts but also to share responses to the banners in your own visual way. Share your reflections and reactions: What does Black feminism mean to you? How would you visualize the ideas from these texts? You may send your interpretation through an illustration or design of your own to email@example.com. All submissions will be reviewed and your design could be selected to be reproduced at sites across the city! Selected artists will receive a stipend. Creatives of all ages and abilities are encouraged to participate.
Inspired by the work of Black feminists and her growing love of mycology, Gray wrote of her inspiration for the project:
“Mycelium are underground networks of filaments that connect nearly every ecosystem on this earth…. I see Black feminism in the same fashion. Expansive, boundless and without borders, Black feminism demands that we see our globe as our ecosystem, not just our cities, counties or countries.
Historically, information (and who has access to it) has been dictated by white supremacy. Black feminists innovated new ways of spreading information, starting up independent presses and printing pamphlets and hosting consciousness raisings. But even now, in our digital age, finding essential Black feminist texts is difficult and beyond that, many of these resources are held prisoner behind paywalls, a need for education credentials or an inability to access the archives.
This project brings what we feel are essential Black feminist materials directly to our communities to contintue the never ending work of liberating information and knowledge from the chains of white supremacy.”
Combahee’s Radical Call is a series of public installations that recenter the vital legacy of Black feminism(s), archives and the written word in Boston. Inspired by direct dialogue with Demita Frazier, co-founder of Boston’s Combahee River Collective, the project commissions Black Femme artists to occupy public spaces with visual installations, designed prints, and digital resources. From November 2020 through June 2021, their works will amplify the voices (and counter the erasure) of Black Femme cultural leaders across Boston’s neighborhoods.
Combahee’s Radical Call: Black Feminisms (re)Awaken Boston is organized by co-curators Arielle Gray, Cierra Peters and Jen Mergel. The project was made possible with funding by the New England Foundation for the Arts’ Public Art for Spatial Justice Program, with funding from The Barr Foundation. This project is also supported by grants from the Emily Hall Tremaine Foundation and the Krupp Family Foundation funds to the Curatorial Network Accelerator of Boston.