Images courtesy of the artists

BCA 27th Drawing Show

Juried and curated by Erin Genia

This year’s Drawing Show is Yušká: Uncoil. In the Dakhota language, the word Yušká means: to untie, release, uncoil, loosen, set free. Its meaning can range from the simple untying of a knotted rope, all the way to a philosophical undoing of political, economic and social constructs. 

List of Artists:

Ryan AasenConstanza Alarcon TennenCrystal Bi, Geoffrey Booras, Kameko Branchaud, Stephanie Cardon, Darius Carter, Mayté Castillo, Woosik Choi, Leah CraigTanya Crane, Mark Hernandez-Motaghy, Corazon Higgins, Elizabeth James-Perry, Ashley JinAlex Kalil, Iwalani Kaluhiokalani, Lucien Dante Lazar, Andy LiPatte Loper, Evangelina MaciasRobbie Moser-Saito, Marie Zack NolanSheila Novak, Chris Pappan, Crater PowersKiara Reagan, John RosMica Rose, Meg Rotzel, John Roy, Michelle Samour, Homa Sarabi, Bryan Shea, Mimi Silverstein, Susanne Slavick, Sarah Slavick, Michelle Stevens, Michael Talbot, Vivian Tran, Ananth Udupa, Margaret Inga Urîas, Jael Whitney, Adam Wise and Erin Woodbrey.


Opening Reception

Friday, May 17 | 6–9pm

BCA Mills Gallery, 551 Tremont St., Boston, MA 02116

Join us for the public opening reception for BCA 27th Drawing Show — Yušká: Uncoil, 6-9pm in the Mills Gallery. Concurrently, next door from 5–8:30pm, there’s an open house in the Artist Studios Building holding our BCA Studio Residency.

About The Exhibition

BCA 27th Drawing Show — Yušká: Uncoil | Juried and curated by Erin Genia

On view: May 11–August 3, 2024

In the Dakhota language, the word Yušká means: to untie, release, uncoil, loosen, set free. Its meaning can range from the simple untying of a knotted rope, all the way to a philosophical undoing of political, economic and social constructs. 

Life is sustained by Earth and everything we do is the result of our connection to the lands we live on. This basic reality has been lost to most, but it is central to Dakota cosmology. All cultures of the world stem from Earth-based ways of living, and for the past couple centuries, those ways have been targeted for erasure and nearly destroyed by dominant societies, but we remain Earth-based beings. 

Artists’ unparalleled ability to speak to the intangible gives them a singular way of addressing inequities and presenting visions of a better world. This power, alongside fluency in the creative process, can be a catalyst for social change that aligns with the Dakhota word Yušká. The crises of climate change and ecological destruction are the result of the same cultural dynamics that are intertwined with economic inequality and the injustices of racism. Beginning with Yušká, how can artists honor the agency of the Earth and our place in it? How can we devote our creative work to unraveling the immense knot formed by harmful ideologies that threaten the web of life?