2022-2023 Dancemakers Laboratory Resident
Wendy Jehlen’s career has been marked by international explorations, study and creative collaboration. She received her Bachelor’s degree in ritual and performance from Brown University and her Master of Theological Studies degree from Harvard Divinity School with a focus on performance and religion in the former Persian world. Wendy engages in collaborations across languages, culture, media and genres. Her work questions the boundaries that we imagine between ourselves, and seeks to break down these imagined walls through an embodied practice of radical empathy. Her work has been created and performed in the US, Benin, Botswana, Brazil, Burkina Faso, Canada, Italy, India, Japan, Mali, Mozambique, Palestine and Turkey. Works include The Women Gather (2022); Conference of the Birds (2018); Entangling (2015), a duet with Burkinabe choreographer Lacina Coulibaly inspired by Quantum Entanglement; The Deep (2015), a work for 25 dancers created in São Paulo, Brazil, Lilith (2013), a solo on the first woman; The Knocking Within (2012), an evening-length duet on a disintegrating relationship; Forest (2010), a journey through the archetypal forest; He Who Burns (2006), a trio on the figure of Iblis (Satan); Breathing Space (2003), a collaboration with Japanese choreographer Hikari Baba in Tokyo; Crane (2002), based on images from Japanese Buddhist poetry; and Haaaa (2002), inspired by the experience of childbirth. Jehlen has received support from the Doris Duke Foundation for Islamic Art (2017-2018), Theater Communications Group (2018), the Japan Foundation (2017), the Boston Foundation (2012, 2017, 2020), New England Foundation for the Arts (2016-2021), Network of Ensemble Theaters (2016-2021), the Association of Performing Arts Presenters (2015-2020), the Boston Center for the Arts Choreographers’ Residency program (2010, 2015), the Artist Fellowship Program of the Massachusetts Cultural Council (2003, 2012), the American Institute of Indian Studies (2001, 2013), the Boston Dance Alliance (2013), the National School of Drama (2006, 2011, 2013, 2020), the Indian Council for Cultural Relations (2011), the Fulbright program (2005-2006), the National Endowment for the Arts (2005, 2019, 2020), the Tokyo American Center (2002), the Puffin Foundation (2001), and the Ford Foundation/Arts International (1996), among others. She is a Fulbright Scholar and a Fulbright Specialist, an Arts Envoy of the US Dept of State, she is on the speaker roster of African Regional Services and has received Public Affairs grants from US Embassies in Benin, Brazil, Burkina Faso, Botswana, Japan, Haiti, Rwanda, China and Mexico.
T(h)ree by Wendy Jehlen
Shared through the new Dancemakers Laboratory at BCA, T(h)ree by Wendy Jehlen, will explore humanity’s relationship to nature and to each other, drawing on ancient rites and rituals while utilizing the newest technologies. This sharing of the piece will invite feedback on the movement and sound layers of the work.
T(h)ree will grow to become an immersive hybrid performance for three dancers, with immersive spatial sound, and 3D 360° projection performed in a dome. Through this interdisciplinary lens, T(h)ree will create a timeless and timely call to action at this critical moment in our species’ and our planet’s history.